Year |
First Name |
Last Name |
Thesis Title |
 |
2004 |
Joshua |
Hanes |
Music and Society's Influence on One Another Over The Last Fifty Years in America |
|
2003 |
Tequila Sharlene |
Coleman |
TSC Music Management Company Business Plan (2 copies) |
|
2003 |
Joe |
Davis |
Manual of Documents and Systems for JAD Productions |
|
2003 |
Deborah |
Hill |
Journey into the World of Concert Promotions |
|
2003 |
Jacqueline |
Hudson |
A Study of Audio Merchandising of Urban Music at Virgin Megastore Chicago |
|
2003 |
Maria Izabel |
Leme-Harris |
Carnival and Management: How Il? Aiy? Organizes Itself for Its Carnival Festivities. |
|
2003 |
Hyun-Jin |
Roh |
Website Design for StudioRPlus |
|
2002 |
Kwadwo |
Oppong-Wadie |
Independent Record Labels and the Importance of Digital Technology to Their Survival |
|
2002 |
Vanessa |
Page |
The African Dispora Film Festival |
|
2002 |
Tanya |
Ransom |
Distribution Alternatives For Independent Filmakers |
|
2002 |
Scott |
Zacher |
Producing, Presenting and Surviving Slasher Sleepover |
|
2001 |
Tina Lee |
Cox |
Developing A Recording Artist |
|
2001 |
James |
Dzwerzynski |
The Columbia Exposition Business Plan |
|
2001 |
Martin |
Perlow |
Business Planning for the Creation, Operation, and Expansion of a Small Graphic Design Firm |
|
2001 |
Trevor |
Peters |
Business Plan For Culture1.com |
|
2001 |
Chia-hsing |
Tsai |
International Arts Management- An Introductory Touring Handbook for East & Southeast Asia |
|
2000 |
Kathleen |
Beckman |
Vol. 1-2 Manual of Documents and Systems of the Chicago International Children's Film Festival |
|
2000 |
Russell |
Breimeier |
Contemporary Christian Music-The Business of Music and Ministry |
|
2000 |
Emily |
Duff |
The Development Running of the National Music Workshop and Dayjams |
|
2000 |
John |
Guertin |
Intersound, Inc.- Mechanical Licensing Manual- A Manual for the Coordination and Administration of the Outside Mechanical Licensing, Royalty Payment and Copyright Registration Process for Releasing a Record |
|
2000 |
Beth |
Mayfield |
To Accommodate, Market and Maintain Installation Art |
|
1999 |
Keith |
Brundige |
Jazz: An African/African-American Portrait |
|
1999 |
Randall |
Clark |
The Artist as Entrepreneur: Entrepreneurship for Visual Artists(EVA), A One Semester Text For Undergraduate Visual Arts Students |
|
1999 |
Gina |
Gayle |
Strategic Management Plan of the Southside Community Art Center |
|
1999 |
Symon Gwaro |
Ogeto |
Project Manual For Seed Tours and Safaris Incorporated |
|
1998 |
So-Young |
Hong |
Public Awareness and Audience Development Plan for the Terra Museum of American Art |
|
1998 |
Niven |
Kingwell |
Stewardship Plan for the Development Department of Ravina Association |
|
1998 |
Ed Rivadavia |
Lopes |
The Best Musician You Never Heard In Your Life: Frank Zappa's Fight Against Censorship |
|
1997 |
Jane |
Jacob |
Stolen Art: The Case for Registration |
|
1997 |
Dayna Martinez |
King |
Booking Name Stars in Symphonic Pops Concerts for the Purpose of Audience Development |
|
1997 |
Leslie |
Krantz |
Pratical Guide for Establishing a Financial Job Function at a Commercial Presenting Theatrical Organization |
|
1997 |
J.D. |
Ma |
Slis Industries' Project Manual for Garfield Pencil Project |
|
1997 |
Kathryn |
McKee |
A Proposal For AT&T Chicago: Investments in the Arts as a Strategic Advantage |
|
1996 |
Ming-Shinn |
Chen |
A Commercial Gallery in the City of Chicago: Ming International Fine Arts Gallery |
|
1996 |
Darrell |
Copeland |
The Process of Scounting, Developing, and Marketing A New Model |
|
1996 |
Alecia Flint |
Dixon |
The Production, Publishing, and Distribution of Gospel Music: A Reference Manual |
|
1996 |
Leah |
Gauler |
Public Art and the Role of the Community |
|
1996 |
Menucha |
Poleg |
Media's Transformation in the Age fo Information |
|
1996 |
Amy Ann |
Rasmussen |
A Feasibility Study of the Relationship Between The Chicago Chamber of Musicians and The Chicago String Quartet |
|
1996 |
Nida |
Tautvydas |
Establishing Financial Operations: A Reference for New and Emerging Non-Profit Arts Organizations |
|
1996 |
Lisa Marie Chew |
Wainwright |
Hubbard Street Dance Chicago Long Range Strategic Plan (4) |
|
1995 |
Tomomi |
Anabuki |
Preliminary Assessment For Budget Form Revision |
|
1995 |
Robin |
Gitelman |
O'Brien Showcases Three Year Business Plan |
|
1995 |
George Michael |
Minford |
Business Theater: The Evolution and Applications of Live Performances as a Business Communications Medium in the United States |
|
1995 |
Fatima |
Mussa |
The Impact of New Technologies in the Music Business |
|
1995 |
Caroline |
Schless |
Piven Theatre Workshop Policies and Procedures Manual- A Working Document |
|
1995 |
K.T. |
Subsuksombud |
The Telecommunications Industry of Thailand: A Public/Private Model of Infrastructure Development In A Rapidly-Growing Economy |
|
1995 |
Jonathan D. |
Wray |
A Strategic Plan for JDUB Entertainment and Jazzy Tam Films |
|
1994 |
Andrea |
Davis |
Multimedia-The Convergence of Telecommunications on the Entertainment Industry |
|
1994 |
Elizabeth |
Dorsey |
A Working Draft of a Finance/Accounting- Policy and Procedure Manual |
|
1994 |
Richard |
Jacobs |
Strategic Planning for Famous Door Theatre Co., A Small, Non-Profit, Non-Equity, Professional Theatre Company |
|
1994 |
Paul |
Knutson |
A Handbook of Video Conferencing Technologies and Procedures |
|
1994 |
Lai |
Li-Hwei |
The Prospect of Selling Engilsh Language Children's Books in Taiwan |
|
1994 |
Brian |
Nash |
Aids, Homophobia, and the Media |
|
1994 |
Gail |
Swerdlik-Fisher |
Board of Directors Can Make a Difference- A Case Study of Seven Musical Arts Organizations in Chicago |
|
1994 |
Jay Alan |
Vinitsky |
An Investigation into the Spertus Institute of Jewish Studies: Determining Computer Needs for the 90's and Finding Efficiency in the Non-Profit World |
|
1993 |
Ajeenah |
Crittendon |
A Management Analysis on What Went WrongÝ At Orion Pictures Corporation |
|
1993 |
Nan R. |
Warshaw |
Independent Booking of Alternative Rock |
|
1993 |
Sally Winner |
Weiss |
Getting the Picture- A Feasibility Study on the Establishment of An Agency For The Purpose of Promoting Film and Video Production in Monroe County, New York |
|
1992 |
Barbara |
Edfors |
Taking A Chance on Revivals: A Risk Assesment Model for the Production of Seldom Revived Works of the American Musical Theatre |
|
1992 |
Jamyn |
Flynn |
Converting a Manual Art Museum Collection System to a Computerized Art Museum Collection System |
|
1992 |
Michael |
Friedman |
The State of the Jazz/Aesthetic: An Analysis of the Participation of Arts Managers in the Marketing of the Current Philosopy |
|
1992 |
John |
Macrae |
The Nature of Business: A Business Plan for a Small Service Company |
|
1992 |
Nicolas |
Pipas |
"Marketest-Examtest" |
|
1992 |
Marcia Lauzon |
Schalk |
First Night: Celebrating the Arts at the City Center |
|
1991 |
Carol Lee |
Mika |
"The Recording History of the Chicago Symphony Orchestra From 1968-1978: A Case Study of the Transition From and Exclusive Recording Contract to Multiple Recording Contracts Between American Orchestras and Recording Companies" |
|
1991 |
Patricia |
O'Connell |
Chicago Day: An Evaluation of Publicity Response to a Day of Free Admission at Chicago Cultural Institutions |
|
1990 |
Renata |
Chorzempa |
The Judicial and Legislative History of Copyright Protection of Computer Software |
|
1990 |
Sherry Lynn |
DeVries |
A Case Study of the Development of the Five-Year Marketing Plan For the Field Museum of National History Chicago, IL |
|
1990 |
Robert |
English |
Crossover Music: A Marketing and Musical Analysis |
|
1990 |
Robert |
Leuder |
The First Ammendment and the Arts |
|
1990 |
Nik-ki |
Wittingham |
Arts Management in the 90's: The Essential Annotated Bibliography |
|
1989 |
Michele |
Anderson |
The Importance of the Economic Balance Between the Revenue Producing Source and an Arts Organization in a Multi-Use Arts Facility |
|
1989 |
Mary |
Carmody |
TGC Music: A Business Plan |
|
1989 |
Tanya |
Cook |
The Ramifications of Corporate Art Collecting In Terms of Company Image and Employee Motivation |
|
1989 |
Debra |
Hale |
Rock/Pop Artists Management in Chicago: A Guide for Beginners |
|
1989 |
Anne Edvenson |
Sadowski |
The Uncertain Future of Chamber Music: The Interrelationships Between Changing Demographics Lifestyle, and Repertoire of Chamber Music |
|
1988 |
M. Penelope |
Cagney |
An Examination of Private Sector Funding in Key British Arts Organizations |
|
1988 |
Debra |
Hawkins |
The Impact of Technology on the Newspaper Industry |
|
1988 |
Jane |
Johnson |
Integrating the Arts Into the Curriculum |
|
1988 |
John |
Lochen |
Alternative Music Marketing and College Radio |
|
1988 |
Karin |
Olson |
The Elgin Symphony Orchestra- A Comparative Perspective |
|
1988 |
Jerrold St. Jorge |
Vesely |
Special Films in Chicago A Marketing Study |
|
1988 |
Beverly A. |
Williams |
Not-For-Profit Board of Directors- The Occupational Base and Monetary Value of Their Time |
|
1987 |
Cynthia |
Berquist |
"Bringing in the Bucks": Fundraising For the Small Performing Arts Company |
|
1987 |
Timothy |
Gunsolley |
Management Turnover in the Regional Symphony Orchestra |
|
1987 |
Lou |
Guthrie |
Creative Environments of the Artist: External Stimuli and Work Environments Which Facilitate and Encourage the Apperance of Creative Thoughts and Actions |
|
1987 |
Dale |
Roadcap |
The Responsibility and Authority of Artist & Repertoire As It Relates to the Successful Acquisition and Development of Musical Talent |
|
1987 |
Gary |
Smiley |
Retailing the Arts- A Feasibility Study of Merchandising as a Form of Supplementary Earned Income for Arts Organizations |
|
1987 |
Pamela |
Solon |
Cable Television Through A Zoom Lens |
|
1987 |
Sandra Baker |
Sticha |
Educational Outreach as a Marketing Tool: An Analysis of Six Chicago Theaters |
|
1986 |
Julie |
Falen |
The Issue of Liability Insurance as it Pertains to the Business of Presenting Live Musical Entertainment |
|
1986 |
Jennifer |
Fischer |
The Sociological, Psychological, and Political Impacts on Musical Taste |
|
1986 |
Mary |
Jerz |
An Entertainment Needs Assesment Survey Conducted at the University of Chicago |
|
1986 |
Steven |
Mandelman |
A Corporate Cirriculum in Non-Monetary Transaction |
|
1986 |
Leslie |
Romero |
Corporate Contributions to the Arts- A Subjective Study of the Corporate Giving Climate and Corporate Support of the Arts in Chicago, in the 1980's |
|
1986 |
Paula |
Uhrig |
Creating A Telemarketing Campaign For A Small Non-Profit Organization or How To Get Subscriptions on $267.02 |
|
1985 |
Mary Amelia |
Bergstorm |
Arts Education: Development of a Young Audience Program |
|
1985 |
Hilton Herman |
Weinberg |
The Prerecorded Music Industry: Structure, Function and Direct Marketing |
|
1984 |
Judith Schein |
Cohen |
The Development Plan for Centre East |
|
1984 |
Amy |
Lerner |
The Role of the Not-For-Profit Organization in Promoting and Enriching the Cultural Vitality of an Urban Community |
|
1984 |
Nora |
Vandieu |
Sales Tax Revenue for the Arts A Case Study |
